Tracks such as Melee combining the softer elements of snare rim shots with heavy distorted guitars works wonders and is something that is hard to find these days. The album climaxes with the 10.27 long Philos, a gradual journey through both the softer side and more aggressive elements of Russian Circles, reaching a peak half way through and slowly winding down, a fitting end to an album that is up there with my all time favourites
Matthew Wright
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